Shahrukh is best in his own way, matches with every co star, breaked all of his record because earlier he has not ever done a lip kiss with any actress I think he has been inspired by imran hasmi …(laugh) but his character was good especially as the bomb defuser.Samar anand “A Man Who Cannot die”Īnd yeah Akira. Meera a daughter of a successful business man always makes a deal with god, that If he fulfills her wishes she will quit one of her favourite thing in exchange of that which is not at all practical, her character is a bit unconvincing no doubt hats off to her shakes in ishq dance.
#Jab tak hai jaan movie duration movie#
Jab tak hai jaan is overall a good movie before interval it feels dreary, shahrukh is as awesome as always. One wishes Yash Chopra hadnt called it The End so soon, for we definitely would have liked to remember him by with a better film. Sadly, there is nothing more to hold them engaged once inside. Is JTHJ a total washout? Perhaps no, cause SRK has nary looked as good in recent times, he is enough eye candy to get die hard fans walking into the theatres. For as things are right now, Badshah khaan looks as tired as the story itself. Given a better co star may be, SRK wouldnt have come out this as bad. SRK as Samar is a pale shadow of all of his past Raj Rahul acts, he looks smashing as Major Samar, too old for the act of a carefree Samar singing an obnoxiously voiced Challa, and is desperately trying to put in some fire in the scenes with Katrina. This brings us to the man, SRK- desperately looking for a romantic ressurrection. Her character is Band Baaja Baraati on meth, made so tomboyish to contrast her from Katrina's attempted coy girl act, that it is almost as if Samar turned gay for a man named Akira. Her Meera is quintessentially Yash Chopra, and Katrina can only manage to look all shimmy legged and beautiful.Īnushka on the other hand compensates for Katrina's lack of acting by hamming to the core. For all of Katrina's charms and beauty she is just not capable of channeling the passion her role and the film required. When Katrina runs across Londons streets to the music of violins on an overdrive, into SRK's arms, all one can do is squirm in his seat. When Simran ran through mustard fields into Raj's embrace, When Pooja ran into Rahul's arms in Dholna, when Chaandini went into her Shona's arms in the alps, your heart skipped a beat. I am still recouping from the jarring soundtrack which seems to fill a lot of the movie. Rehman is totally out of his element, not one song is worth listening as a stand alone album, neither does it work in the movie. JTHJ sadly is one of YRF's worst scores in recent times. JTHJ suffers from the crucial flaw of having zilch for chemistry between the lead actors, to the extent that you are least bothered when Meera "sacrifices" her love for Samar or when Akira is caught between her love and Samar's happiness.įor the sake of argument, even Veer Zaara was a hakneyed week script that was salvaged by the maestro to eternal glory aided by some lilting music. Cinematic liberties never seemed to rattle since the love was so strong you would root for the characters to meet despite all odds. Yash Chopra is known for his handling of relationships, creating moments that defy logic yet speak to the heart. JTHJ is a convulated mess that desperately needs some deft handling form the master of Romance. Confusing? Wait, I haven't even spoken of the retrograde amnesia and finding Chandramukhi-esque sacrificing of love. She falls for him, only to have Samar and Meera face to face due to circumstances. Ten years hence, Samar is an Army Major, and Akira a wannabe Discovery journo is recording his bravado of being the bomb detonator par excellence.
An accident happens, and Meera promises to forget Samar in return for his life. SRK is Samar Khan, a Londener doing odd jobs to meet ends, he falls in love with Meera, a rich man's daughter who loves to bargain with God, making promises to leave things which she loves in return for her prayers being answered. Jab Tak Hai Jaan is laborious and extremely tedious watch. So this one goes out with a sincere apology to the man's memory, cause he is not around to defend himself. Yash Chopra, with his untimely death, has in one stroke managed to blunt out a volley of criticism his latest and now last outing can elicit out of even the most ardrent fan of his films.
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